高志强是现代主义诚挚的表达者，他曾开创性提出“空间情绪设计”的观点，也始终在其设计作品中践行。“对于证券公司来说，专业、理性、严谨、透明等是公司需要对内对外传达出的观念，人们进入空间便能感受到我们的设计构思。”高志强首次接触项目时，便清晰了设计的立足点。 Gao Zhiqiang is a sincere expresser of modernism. He pioneered the idea of “Spatial emotion design” and always practices it in his design. “For a stock market company, professionalism, rationality, preciseness and transparency are the main concepts we need to convey both internally and externally. When entering the space, people could feel our concept.” Gao Zhiqiang pointed out clearly, when he first got in touch with this project.

入户2.3米宽的整扇玻璃门缓缓移开，前台出现在眼前，由黄铜手工打造的前台呈现雕塑般的造型，成为客人进入空间后首先关注到的亮眼的一隅。天花上有着皇冠造型的灯具暗藏光源，使空间气场大开。 When 2.3-meter-wide entrance glass door slides open slowly, a hand-made sculptural brass front desk could catch your eyes when you first step into the space. Lights sparkled in a circle from the lamps and lanterns setting in the ceiling, like a crown, which lighten up the whole space.

七道中间墙板和两侧玻璃的片墙，将长条的空间形态纵向划分为总裁办公室、投资部办公区、前台、会议室、VIP会议室等多个不同功能区，力求无论你站立在任何空间角落，都能拥有180度的视觉享受，并获得极度舒适的空间体验。 Seven middle panel walls with two-side glass walls divides the long strip space into several different functional areas, including CEO room, investment department, front desk, conference room and the VIP meeting room, which enable you to enjoy a 180 degree surrounding visual experience and extremely comfortable space experience, no matter in which corner you stand.

在常规的办公项目中，总裁办公室往往是私密而具有威严性质的空间，给人以轻微的压迫感。泊通的总裁办公室则从固有的桎梏里解脱出来，变成通透的办公室，可接待双人、三人、四人、五人使用的交谈区，彼此之间没有屏障与隔断，让老板与员工之间的交流畅通且高效。 In a regular office project, CEO room is usually a private and dignified space, which might bring people a sense of pressure. ECO room for BOTONG INVESTMENT is free from the inherent shackles, designed as a transparent office providing conversation area for two people and up to five people. There is no barrier and partition between each other, so as the communication between the boss and employees, which would be more smooth and efficient one.

总裁办公室

交谈区，不同高端品牌家具的组合

圆桌区

沙发座位区

设计大师Mario Nanni的八条灯光法理论“光是一种建筑材料”，光影无形中是可以塑造空间秩序与边界的。在敞开办公区，来自Hermanmiller经典的sayl系列座椅搭配独立于每个办公桌上的Waldmann灯具，营造多个独立的聚拢光线的“伞状”光区，让员工聚焦于工作，留出一个干干净净的顶面。 “Light is an architectural material" said by lighting design master, Mario Nanni in his eight lighting theory, in which light and shadow can shape spatial order and boundaries. In the opening office area, classic sayl chairs from Hermanmiller matching with lamps from Waldmann form a separated area in each desk, creating a number of isolated "umbrella" light areas which concentrate the light and allow the staff to focus on their work under a clean top surface.

开敞办公区，独立聚拢光线的“伞状”光区

开敞办公区细节

空间细节

而在面积更大的多功能区域，家具的布置形式与总裁办公室如出一辙，员工们落座在不同的区域交谈，家具均可移动，使用场景还可以办派对或者路演。 In the larger multi-functional area, the arrangement of the furniture was the same way as decorated in the CEO room. Employees were flexible to talk and sit here. The furniture could be moved and the space could be upgraded for parties or road shows. 休闲区则开放成时髦的独立岛台设计，在紧张而忙碌的办公环境中，开辟出氛围轻松的茶歇区域。靠近窗户的部分用灰色玻璃围合出两个半弧形的隔断，内里置入柔软的沙发，员工可以眺望西山放空自己。 The tea room is designed as a stylish independent island, creating a relaxing tea break area in a tight and busy office environment. Two semi-arc spaces were created by grey glass enclosure near the windows, and a soft sofa is placed inside, which provide the employee an opportunity to loosen themselves when overlooking the Xishan in Beijing.

从休闲区望向副总裁办公室

副总裁办公室

副总裁办公室细节

交谈区，色彩明亮的家具

空间沿窗分布的立柱均为方柱，设计师把所有的方柱改成圆柱，与片墙分隔的方形空间刚柔并济。 Square columns was distributes along the windows, designer changed the square columns into cylinder ones to balance the square space divided by the panel walls, combining both curve line and straight lines together.

会议室

中度灰玻璃隔断

在泊通投资的空间设计中，企业性质决定了空间所要传达的情绪。而作为设计师，空间情绪的缔造者，高志强体察空间使用者与空间之间的关系，洞悉个体与整体之间的平衡性，调度色彩、光线、声音、香氛、质感、尺度等要素，使一个个充满人文关怀、有温度、有情感的作品接连呈现，让使用者塑造了空间的同时，反过来也会被空间塑造。 In the project of BOTONG INVESTMENT, the nature of the company determines the emotions shall be conveyed by the space. As a designer, the founder of spatial emotion design, Gao Zhiqiang is specialized in observing the relationship between the space and space users, insight in balance the individual and entirety, applying colors, lights, sounds, smell, feelings and size to create a work full of humanistic care, temperature emotions, to make the users shape the space and also be shaped by the space at the same time.